A rather beautiful and haunting image – a view from above of sorts – in a post from Geographical Imaginations about Steven Hoelscher’s new essay.
Richard Peter, Blick vom Rathaussturm, Dresden 1945 (Deutsche Fotothek)
A new essay from Steven Hoelscher, ‘Dresden, a Camera Accuses: Rubble photography and the politics of memory in a divided Germany’, just out in History of Photography 36 (3) (2012) 288-305.
This article explores memory, photography and atrocity in the aftermath of war. It takes as its case study the controversies surrounding the February 1945 firebombing of Dresden. One photograph in particular has become the iconic image of the fire- bombing and of the devastating air war more generally – Richard Peter’s View from the City Hall Tower to the South of 1945. Although arguably less divided today than it was during the Cold War, when the image became seared into local and national memory, Germany’s past continues to haunt everyday discourse and political action in the new millennium, creating new ruptures in a deeply fractured public sphere. By examining…
View original post 266 more words